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Whether or not that’s an apocryphal statistic – Tame Impala are, after all, a very popular band – the crowd reacted to this announcement with apoplexies of joy.Īnd the alternate joyfulness and wistfulness of Saturday’s set is what makes certain criticisms of Tame Impala seem unduly mean-spirited (especially as such criticism tends to be a levelled by the tiresome cowboy-booted members of the indie rock scene, whose favourite artists have been reheating the same Rolling Stones leftovers for decades). “You guys wanna know another fun fact? This is the biggest Tame Impala show there’s ever been. “Holy shit, you go back so far,” Parker exclaimed, eyes straining to the back of the crowd on a distant hill during a break in the set. They’re a formidable live presence, accompanied by a charmingly old-fashioned light show whose psychedelic projections wash Parker and co in blobs of colour and movement. Parker, whose approach to the writing, recording and production of Tame Impala records recalls the megalomaniacal commitment of Boston’s Tom Scholz (though Parker is clearly much nicer), is accompanied around the world’s stadia by a four-piece band: Jay Watson on synths, Dominic Simper on guitar, Cam Avery on bass guitar, and Julien Barbagallo on drums. When Kevin Parker and his touring band began to unfold the mysteries of Let It Happen, most of the stalls emptied and surged to the front of the stage. That means 12,000 or so people, and that’s not counting the hopeful picnickers craning their necks from beyond the fences and perched in the branches of the venerable trees surrounding the venue.
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A sold-out crowd flocked to see Tame Impala play Melbourne’s Sidney Myer Music Bowl on Saturday night, their first Melbourne headline engagement in the two years they’ve spent criss-crossing the globe.